I’ve been grateful the past few years that the public domain has finally caught up to my reading tastes. Sure, there were wonderful things written in the 19th century, or in the 17th century or earlier. I read Chaucer in college, or I probably did. But somewhere around 1919, out of the last embers of World War I, writers really began to speak a language that I understand.
I discovered T.S. Eliot when I was in high school and I fell in with the usual suspects—The Waste Land, Prufrock, etc. Then (much) later I began to plumb the lesser-known poems. Today’s gift from the public domain is “Preludes” published in 1920.
Read it and tell me: don’t you hear some of this in Tom Waits? Charles Bukowski? …TM
Preludes
I The winter evening settles down With smell of steaks in passageways. Six o'clock. The burnt-out ends of smoky days. And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and stamps. And then the lighting of the lamps. II The morning comes to consciousness Of faint stale smells of beer From the sawdust-trampled street With all its muddy feet that press To early coffee-stands. With the other masquerades That time resumes, One thinks of all the hands That are raising dingy shades In a thousand furnished rooms. III You tossed a blanket from the bed, You lay upon your back, and waited; You dozed, and watched the night revealing The thousand sordid images Of which your soul was constituted; They flickered against the ceiling. And when all the world came back And the light crept up between the shutters, And you heard the sparrows in the gutters, You had such a vision of the street As the street hardly understands; Sitting along the bed's edge, where You curled the papers from your hair, Or clasped the yellow soles of feet In the palms of both soiled hands. IV His soul stretched tight across the skies That fade behind a city block, Or trampled by insistent feet At four and five and six o'clock; And short square fingers stuffing pipes, And evening newspapers, and eyes Assured of certain certainties, The conscience of a blackened street Impatient to assume the world. I am moved by fancies that are curled Around these images, and cling: The notion of some infinitely gentle Infinitely suffering thing. Wipe your hand across your mouth, and laugh; The worlds revolve like ancient women Gathering fuel in vacant lots.
If you enjoyed this post, hit the ♡ to let us know.
If you have any thoughts about it, please leave a comment.
If you really enjoyed it, hit re-stack or share:
If you’d like to read more:
And if you’d like to help create more Juke, upgrade to a paid subscription (same button above). Otherwise, you can always help with a one-time donation via Paypal or Venmo.
DEAD WOOD provides excerpts from the years before ideas became “content”. Some editions are serious and thought-provoking. Some are ludicrous or silly. Some are chosen just because they happened to strike us as particularly interesting.
If you have an excerpt of “Dead Wood” you’d like to suggest, email Juke at tonyajuke@gmail.com