Beautiful, meditative piece. You weaved so many "pasts" among the "presents" here. This story reminded me of wandering a tiny Israeli town in the hills above the Galil. Winding streets, a garbage collector with a burro. The loneliness of being a wanderer in a strange place. Thank you.
Thank you for your comment, Sue. There is something clarifying about being a wanderer in a strange place. Our past may meet our present to lead us on, which, depending on the circumstances, may be our only resource for going on. We are easily confounded, and yet winding streets and a garbage collector with a burro, to borrow your examples, might radiate with an overwhelming presence, even one that might nurture us, albeit for a moment.
Damon, you have such an excellent "skill set" as a writer. I don't know how to say that any less clumsily, but what I mean is, I often find myself reading and thinking "Ah, that was done so well, that line," and then you'll do that again, but in some other entire context and framework. It results, for example, some extraordinary singular lines, "humans have walked with gods before they can name them," but also in more complexly framed observations, such as that nicely layered understanding of how people can sit in a cafe (or elsewhere) pretending, even to themselves, that they are comfortable, and yet somehow still bearing their nervousness and anxiety with them as a sign. It is hard to tell when people are genuine or not in this world (sometimes I think no one is), but lines like that give me hope that it's true, because if we can spot the counterfeit there must be surely a genuine.
I appreciate how you use the word genuine here, as opposed honest. Honest held the stage for a long time in writer speak, but genuine seems a more charitable word. It leaves space for mistakes, for uncertainty. And I don't know if I could stand the burden of those big words, honesty and truth. It's not that I don't believe in them, but I am not smart enough to carry them. After all, a writer can be genuinely good or genuinely bad or genuinely a mixture of both, and I can sort of live with that. Thank you, as ever, Steven, for your reads.
Beautiful, meditative piece. You weaved so many "pasts" among the "presents" here. This story reminded me of wandering a tiny Israeli town in the hills above the Galil. Winding streets, a garbage collector with a burro. The loneliness of being a wanderer in a strange place. Thank you.
Thank you for your comment, Sue. There is something clarifying about being a wanderer in a strange place. Our past may meet our present to lead us on, which, depending on the circumstances, may be our only resource for going on. We are easily confounded, and yet winding streets and a garbage collector with a burro, to borrow your examples, might radiate with an overwhelming presence, even one that might nurture us, albeit for a moment.
love being in Eleanor's world!
Thank you, Tabby Ivy.
Damon, you have such an excellent "skill set" as a writer. I don't know how to say that any less clumsily, but what I mean is, I often find myself reading and thinking "Ah, that was done so well, that line," and then you'll do that again, but in some other entire context and framework. It results, for example, some extraordinary singular lines, "humans have walked with gods before they can name them," but also in more complexly framed observations, such as that nicely layered understanding of how people can sit in a cafe (or elsewhere) pretending, even to themselves, that they are comfortable, and yet somehow still bearing their nervousness and anxiety with them as a sign. It is hard to tell when people are genuine or not in this world (sometimes I think no one is), but lines like that give me hope that it's true, because if we can spot the counterfeit there must be surely a genuine.
I appreciate how you use the word genuine here, as opposed honest. Honest held the stage for a long time in writer speak, but genuine seems a more charitable word. It leaves space for mistakes, for uncertainty. And I don't know if I could stand the burden of those big words, honesty and truth. It's not that I don't believe in them, but I am not smart enough to carry them. After all, a writer can be genuinely good or genuinely bad or genuinely a mixture of both, and I can sort of live with that. Thank you, as ever, Steven, for your reads.